"THE PRIME MOVER": CHARLES L. HUTCHINSON AND THE MAKING OF THE ART INSTITUTE OF CHICAGO || Front Matter

  • Published on
    24-Jan-2017

  • View
    214

  • Download
    2

Transcript

The Art Institute of ChicagoFront MatterSource: Art Institute of Chicago Museum Studies, Vol. 36, No. 1, "THE PRIME MOVER":CHARLES L. HUTCHINSON AND THE MAKING OF THE ART INSTITUTE OF CHICAGO (2010)Published by: The Art Institute of ChicagoStable URL: http://www.jstor.org/stable/41480864 .Accessed: 15/06/2014 16:45Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp .JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact support@jstor.org. .The Art Institute of Chicago is collaborating with JSTOR to digitize, preserve and extend access to Art Instituteof Chicago Museum Studies.http://www.jstor.org This content downloaded from 193.104.110.48 on Sun, 15 Jun 2014 16:45:08 PMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/action/showPublisher?publisherCode=artichttp://www.jstor.org/stable/41480864?origin=JSTOR-pdfhttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/page/info/about/policies/terms.jsp/';-=09 )(8* =-0/'] This content downloaded from 193.104.110.48 on Sun, 15 Jun 2014 16:45:08 PMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jsp"THE PRIME MOVER" CHARLES L. HUTCHINSON AND THE MAKING OF THE ART INSTITUTE OF CHICAGO This content downloaded from 193.104.110.48 on Sun, 15 Jun 2014 16:45:08 PMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jsp 2010 The Art Institute of Chicago. All rights reserved. No part of this publication may be reproduced, transmitted, or utilized in any form or by any means, electronic or mechanical, including photocopy, digital recording, or any other information storage and retrieval system, without the written permission of the Art Institute of Chicago. Executive Director of Publications: Robert V. Sharp; Editor of Museum Studies : Gregory Nosan; Guest Editor: Amy R. Peltz; Designer: Salvador Cruz, Jr.; Production: Carolyn Ziebarth and Kate Kotan; Photo Editor: Joseph Mohan; Subscription and Circulation: Bryan D. Miller and Molly Heyen. This publication was typeset in Topaz and Stempel Garamond. Color separations and printing by Meridian Printing, East Greenwich, Rhode Island. This publication is volume 36, number 1 of Museum Studies, which is published semiannually by the Art Institute of Chicago Publications Department, 111 South Michigan Avenue, Chicago, Illinois, 60603-6404. For information on subscriptions and back issues, consult www.artic.edu/aic/books/msbooks or contact (312) 443-3786 or pubsmus@artic.edu. Ongoing support for Museum Studies has been provided by a grant for scholarly catalogues and publications from the Andrew W. Mellon Foundation. This book was produced using paper certified by the Forest Stewardship Council. ISSN 0069-3235 ISBN 978-0-86559-238-4 Unless otherwise noted, all illustrations are from photographs or other works in the collections of the Department of Archives, the Art Institute of Chicago, and were photographed by the Department of Imaging The Art Institute of Chicago. All works of art in the Art Institute's collection were also photographed by the Department of Imaging The Art Institute of Chicago. Some images in this publication are subject to copyright and may not be reproduced without the approval of the rights holder. Every effort has been made to contact copyright holders for all reproductions. Sources of quotations in figure captions: p. 9, fig. i: "Critics of Chicago Pronounced Unfair; Good Works Listed," 1910, unidentified newspaper clipping, scrapbook of clippings, box 3, Charles L. Hutchinson Collection, Newberry Library, Chicago; p. 14, fig. 8: Thomas Wakefield Goodspeed, "Charles Lawrence Hutchinson," in The University of Chicago Biographical Sketches, vol. 2 (University of Chicago Press, 1925), p. 28; p. 17, fig. 10: Hamlin Garland, "A Citizen of Chicago," New York Times, Oct. 19, 1924, p. Xi4; p. 17, fig. il: Frances Kinsley Hutchinson to Frances Glessner, Nov. 7, 1910, Frances Macbeth Glessner and John J. Glessner Journals (1879-1921), Chicago History Museum; p. 21, fig. 4: William M. R. French to M. D. Follansbee, Dec. 17, 1909, French Papers, Art Institute of Chicago Archives (hereafter cited as AIC Archives); p. 41, fig. 8: French to Henry Reinhardt, Aug. 31, 1908, French Papers; p. 50, fig. 5: French to John T. McCutcheon, Feb. 8, 1909, French Papers; p. 60, fig. 16: William Rainey Harper to Charles L. Hutchinson, Dec. 23, 1905, William Rainey Harper Papers, box 8, folder 13, Special Collections Research Center, University of Chicago Library; p. 62, fig. 19: French to Harrison S. Morris, Jan. 8, 1906, French Papers; p. 72, fig. 4: French to Sara Hallowell, Mar. 18, 1912, French Papers; p. 74, f'g- 7: French to Frederic C. Bartlett, Sept. 13, 1907; p. 85, fig. 8: Bertha E. Jaques to Frances Kinsley Hutchinson, Oct. 11, 1924, memorial scrapbook, box 1, Hutchinson Papers, AIC Archives. FRONT COVER: Charles L. Hutchinson (right), his wife Frances, and Martin A. Ryerson in Pompeii, c. 1904. BACK COVER: (clockwise from top right) Detail of a vintage postcard showing the Art Institute with famous early aviator Walter Brookins flying overhead, c. 1911 (Collection of Celia Hilliard); Hutchinson at Wychwood, c. 1920 (p. 78, fig. i, detail); Central stair and hall of the Art Institute's first custom-built structure on Michigan Avenue (p. 18, fig. 1, detail); The Hutchinsons with Martin and Carrie Ryerson in Sri Lanka, winter 1896 (p. 46, fig. 1, detail). OPPOSITE: The Art Institute under construction, c. 1892 (p. 33, fig. 19, detail). THE ART INSTITUTE OF CHICAGO MUSEUM STUDIES This content downloaded from 193.104.110.48 on Sun, 15 Jun 2014 16:45:08 PMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jsp"THE PRIME MOVER" CHARLES L. HUTCHINSON AND THE MAKING OF THE ART INSTITUTE OF CHICAGO CELIA HILLARD FOREWORD 4 JAMES CUNO ACKNOWLEDGMENTS 6 CELIA HILLIARD "THE ORIGINAL ART IMPULSE" 8 "A BRICKS AND MORTAR MAN" 18 "PICTURE EXCITEMENT" 36 "A COMMITTEE OF TWO" 46 "THE CONSTANT IMPROVER" 68 "HIS MOST PFRMAKIFNT MOKI1IMFNIT" 7 This content downloaded from 193.104.110.48 on Sun, 15 Jun 2014 16:45:08 PMAll use subject to JSTOR Terms and Conditionshttp://www.jstor.org/page/info/about/policies/terms.jspArticle Contents[unnumbered]p. [1]p. [2]p. [3]Issue Table of ContentsArt Institute of Chicago Museum Studies, Vol. 36, No. 1, "THE PRIME MOVER": CHARLES L. HUTCHINSON AND THE MAKING OF THE ART INSTITUTE OF CHICAGO (2010), pp. 1-92Front MatterFOREWORD [pp. 4-5]ACKNOWLEDGMENTS [pp. 6-7]"THE ORIGINAL ART IMPULSE" [pp. 8-17, 87]"A BRICKS AND MORTAR MAN" [pp. 18-35, 87-89]"PICTURE EXCITEMENT" [pp. 36-45, 89]"A COMMITTEE OF TWO" [pp. 46-67, 89-90]"THE CONSTANT IMPROVER" [pp. 68-77, 90-91]"HIS MOST PERMANENT MONUMENT" [pp. 78-85, 91-92][Illustration] [pp. 86-86]NOTES [pp. 87-92]Back Matter